Thursday, September 25, 2014

"Even when the camera moves, the threat of that movement (and thus of the camera) becoming noticeable as a unique entity is subdued by the presence of narrative action before it.

When, however, camera movement becomes very intricate, the threat of the camera proclaiming its autonomy becomes greater. This situation arises in those long takes which present an entire narrative moment, an entire 'spatio-temporal integrality experienced as being without "flaws,"' in one shot, without editing. The autonomy of the camera is proclaimed in these shots when the moving camera leaves characters behind, abandoning them outside the frame, or when characters are allowed to leave the frame on their own. The former instance demonstrates the autonomy of the camera by showing that the camera controls the process of narrativization by selecting its own objects. The latter calls attention to an offscreen space that the spectator can not see."

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