Anodyne
Wednesday, May 22, 2019
 
"I have disabused myself of any thought of a normal future, but I allow myself a provisional optimism about the possibilities of what time I will be allowed. And I’m determined to experience what life will allow me. I know I have a short while possible to me, but I don’t want to constrict or profane that with recrimination or a distorting bitterness."
Monday, May 20, 2019
 
"After the ceremony, I walked around different old neighborhoods, which were remarkably untouched by time. Aside from the occasional person taking photos with their phones, it may as well have been 1978, when sophisticated metropolitan nocturnal decadence like “Josie,” “FM (No Static at All),” and other Steely Dan songs were [sic] floating out of cars driving throughout Rego Park, Elmhurst, Kew Gardens, and Forest Hills in bright mid-afternoon--"
Wednesday, May 15, 2019
 
Sonic archaeology: This Night's 2:44 yowl is pure Roger Hodgson
Monday, May 13, 2019
 
Geoffrey James & me on IG:

-Oh, Garden X.

-No, Garden Y.

-I suppose one cactus looks like another.

-If I really believed that, I wouldn't be making pictures.
Sunday, May 12, 2019
 

Cardoon, 2019

1. The decision re: a subject is already made when the camera comes out.  The "subject-seeking process" precedes the choice of equipment or tools.  Subjects are chosen through a combination of thinking, feeling, reflection, etc., a black-box process mostly impervious to analysis.

2. The subject registered by the tool(s), is a bunch of pieces, of fragments.  I make multiple exposures to confirm them.

3. When I perceive a subject "as a picture," or at least as "a possible picture," what I actually perceive is a gestalt, and the picture-making process is a process of disaggregation, of identifying the pieces that make up the mental whole.

(Editing a prose paragraph)

(Removing what is unnecessary)

(Stating more simply)

(Isolating elements; respecting their autonomy)

4. Everything signifies, as in abstract painting (Linsley, but also "Western tableau form" (Wall)).  The picture's autonomy, its freedom, lies in the equality of its details, as opposed to its "being or bearing a depiction" (Wall) of a preexisting hierarchy in the world: Jesus Christ; a king's or queen's face; the emperor's silhouette; a battle, etc.

5. The bricks; the fence; the concrete chunks; the white oval hoops and the visually rhyming shoot above the wooden triangle; the reflected sunlight in the far right upper corner.

5a. If I discuss my pictures, it's only by referring to details.

6.  "But it's only photography--"

7. Sherrie Levine: something resembling a thing while not being that thing.

8. If I thought I was Edward (or, worse, Brett) Weston, poised to "continue a tradition," I'd be making gelatin-silver prints with negatives from an analog camera.  But my pictures are digital; "dry"; and hopefully not fucking around with nostalgia for the medium or so-called "craft standards."
Friday, May 10, 2019
 

Wires and shadows, 2019
Wednesday, May 08, 2019
 

Vessel, 2019

Powered by Blogger

.post-title { display: none!important; }