Anodyne
Tuesday, April 09, 2013
 
Saltz, via Steven Tong:

"At a Chelsea opening, a good Los Angeles dealer chided me for not going to art fairs, not seeing art in L.A. and London, and not keeping track of the activity online. He said I 'risked being out of touch with the art world,' and he was right. It got me down. As recently as four or five years ago, I could have crowed that because I see so many gallery shows every week, I know what’s going on. That’s slipping away, if it isn’t already gone.

I brooded for months over this. Then I started thinking it through, and instead of focusing on the 'being out of touch' part of what he said, I started thinking about 'the art world.' Something clicked and brightened my mood. There is no 'the' art world anymore. There have always been many art worlds, overlapping, ebbing around and through one another. Some are seen, others only gleaned, many ignored. 'The' art world has become more of a virtual reality than an actual one, useful perhaps for conceptualizing in the abstract but otherwise illusory.

Once we adjust to that, we can work within the new reality. If the galleries are emptier, the limos gone, the art advisers taking meetings elsewhere, and the glitz offshore, the audience will have shrunk to something like it was well before the gigantic expansion of the art world. When I go to galleries, I now mainly see artists and a handful of committed diligent critics, collectors, curators, and the like. In this quiet environment, it may be possible for us to take back the conversation. Or at least have conversations. While the ultrarich will do their deals from 40,000 feet, we who are down at ground level will be engaging with the actual art—maybe not in Chelsea, where the rents are getting too high, but somewhere. That’s fine with me.

Looking, making, thinking, experiencing are our starting point. Art opens worlds, lets us see invisible things, creates new models for thinking, engages in cryptic rituals in public, invents cosmologies, explores consciousness, makes mental maps and taxonomies others can see, and isn’t only something to look at but is something that does things and sometimes makes the mysterious magic of the world palpable. Proust wrote, 'Narrating events is like introducing people to opera via the libretto only.' Instead, he said, one should 'endeavor to distinguish between the differing music of each successive day.' That’s what we do when we look at art, wherever we look at it, however much noise surrounds it. In galleries we try to discern 'differing music,' and it’s still there right now. I love and long for it."

- posted by cjb @ 9:22 PM


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