Anodyne
Sunday, November 18, 2012
 

"What made commercial projects like Raiders of the Lost Ark so enjoyable was the flamboyant eccentricity of Spielberg’s visual imagination—especially his imagination of action, which was fresh, free-wheeling, surprising. But Lincoln avoids flamboyance. Most of it is very somber. Lincoln’s office and the cabinet room are small and dark. The city of Washington is smoky and gray, as if the filth of battle had drifted over the city. The only brilliant light is at the windows: Many of the most important indoor scenes are shot in silhouette, with just the smallest amount of fill (equal to a candle or a lantern) coming from the foreground."


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