Anodyne
Thursday, January 03, 2008
 





Short NYT survey of the career of great American director Paul Thomas Anderson (above left). I've seen every one of his films (even the obscure ones, like this excellent Michael Penn video), and am eagerly awaiting his new adaptation of my favorite Upton Sinclair novel, Oil!

A lot of me contained in Anderson's Punch-Drunk Love (2002): "[a] truly strange movie told mostly in long, slow, unbroken camera moves, interspersed with abstract color patterns and partly scored with a harmonium. . . ."


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