Anodyne
Tuesday, August 21, 2007
 
On the deck: Messiaen's Quatuor Pour La Fin Du Temps (1941), via PKD and K.

"According to the composer, the Quartet was intended not to be a commentary on the Apocalypse, nor to refer to his own captivity, but to be a kind of musical extension of the Biblical account, and of the concept of the end of Time as the end of past and future and the beginning of eternity. For Messiaen there was also a musical sense to the angel's announcement. His development of a varied and flexible rhythmic system, based in part on ancient Hindu rhythms, came to fruition in the Quartet, where more or less literally Messiaen put an end to the equally measured 'time' of western classical music."


<< Home

Powered by Blogger

.post-title { display: none!important; }