Saturday, July 13, 2013

977 W. 46th Street, panel 3

977 W. 46th Street, panel 2

977 W. 46th Street, Los Angeles CA, 2011, 2013.  Digital collage. 1 of several images, final size & hanging configuration TBD.  Somewhere between 9-14 differently shaped pictures on a large framed sheet of paper.  An art work that could not have been made without Michael Bluth's "ostrich car." The seldom-presented & by now probably rejected video version of Eviction Struggle shares something of the same spirit.
Friday, July 12, 2013
New Steely Dan Album?  It's 'In the Air'

"I'm glad we turned into a big-time touring band later in life. In fact, it's almost like we planned it out that way."
Tuesday, July 09, 2013


Meeting on a Sidewalk, 2013.  Digital collage.

"The term life used in art is something not to be held in contempt, for it implies all of existence and the province of art is to react to it and not to shun it."  (E. Hopper)
Sunday, July 07, 2013

Return of the Dark Brothers

Long, well researched- & written- article accurately capturing the sensibility of two artists I admire.

"Over the next hour they drink coffee and eat Fig Newtons and occupy chairs in a room with big speakers and instruct an engineer where to begin and end the excerpts, one from each song. When they're done, they will take a taxi down Broadway to a jazz club in the West Twenties and listen to Ray Bryant, a piano player who worked for a while with Miles Davis, among others. 'On his own,' Fagen says, 'he has a little more of a gospel feel.' They will arrive late and sit unobtrusively at the back of the room and drink Cokes and eat dinner and applaud several of the solos. At the end of the set, Fagen will introduce himself to Bryant and enumerate the Bryant albums he has in his collection, and Bryant will say, 'Well, it sounds like you got all of them.' The older jazz musician sitting with Bryant, who, like Bryant, has no idea that Fagen might be anyone other than, say, a lawyer or perhaps an accountant, will regard him as a rude white guy who has interrupted his conversation, which pains Fagen and leads him to think that he shouldn't have disturbed Bryant in the first place, except that nearly since childhood, he has had the habit in these small clubs of approaching musicians he admires. Fagen will return to the table, where a few moments will pass before the waitress will inform him and Becker that they have to leave, because the table has been booked for the second set, which is sold out."

Wayfarers, 2013.  Digital collage.

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