Friday, October 31, 2014

"Panaglide — you strap it on, and off you go, and there’s more freedom in the movement, freedom to track up stairs, around corners, follow characters. I was determined to use that so a lot of scenes were done in one take."


"The opening shot was inspired by Touch Of Evil. Orson Welles did a couple of one-take sequences, but the most astonishing is not the opening sequence which everybody remembers. In a motel room, in the middle of the movie, a man is broken by Orson Welles’ character. It’s almost a reel-long one-shot. It’s astonishing. I was inspired by the idea of that. So in the opening scene, we were coming up on the outside of the house, around and up the back steps, and as we passed through a room going into another room the crew would re-light it behind us. We were just flying on the edge, but that was the spectacle, the money shot. Plus we had a naked girl upstairs! You couldn’t ask for more than that. There are a couple of cuts in that first shot. The mask allowed us to do a cut, and there were botched takes — we didn’t make it up the stairs, there was a camera shadow, something would happen. But it was fun."

"One staff member, who agreed to speak on the condition of anonymity, said one question she has repeatedly faced since the scandal erupted is how the voice on the radio, who portrayed himself as a feminist and sensitive, can be accused of such things. Her response was simple: He was often 'reading other people’s words.'"
Wednesday, October 29, 2014

Kato Cat, magnificent. Courtesy L.
Sunday, October 26, 2014

Jack Shadbolt, Primavera No. 4

First artwork I ever bought (& then carried home to the North Shore, all 31" x 44" of it, on public transit). 

Still on display chez CJB today.

Left hand edge of Fortified Door, about 6' from its right hand cousin, seen a few weeks ago.

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